Hamartia in Tragedy

In the context of dramatic literature, the significance of tragic flaws—or 'hamartia'—is critical to understanding a protagonist’s journey in tragedy. These flaws often lead to the downfall of the hero, serving as a pivotal plot device. Conversely, in comedic narratives, characters tend to have their flaws exaggerated but ultimately experience some form of redemption or transformation. Given these distinctions, which of the following plays best exemplifies the use of a protagonist's hamartia leading to tragedy?